Take 6

Friday, June 26 – Show at 8:15pm

VIP Tent

Saturday, June 27

The St. Regis Aspen

Shows at 7:15pm and 9:30pm

The most awarded vocal group in history (10 Grammy Awards, 10 Dove Awards, a Soul Train Award, and more) celebrates their 25th Anniversary!

Take 6 (Claude McKnight, Mark Kibble, Joel Kibble, Dave Thomas, Alvin Chea and Khristian Dentley), heralded by Quincy Jones as the “baddest vocal cats on the planet!”, is the quintessential a cappela group and model for vocal genius. Six virtuosic voices united in crystal clear harmony, against a backdrop of syncopated rhythms, innovative arrangements, and funky grooves that bubble into an intoxicating brew of gospel, jazz, R&B, and pop. With praise from such luminaries as Ray Charles, Stevie Wonder, Brian Wilson, Ella Fitzgerald and Whitney Houston, the multi-platinum selling sextet has toured across the globe, collaborated across genres, and is recognized as the pre-eminent a capella group in the world.

Take 6 has come a long way from their days at Huntsville, Alabama’s Oakwood College where McKnight formed the group as The Gentleman’s Estate Quartet in 1980. When tenor Mark Kibble heard the group rehearsing in the dorm bathroom, he joined in the harmonies and performed on stage that night. When Mervyn Warren joined shortly afterward, they took the name Alliance. Yet, when they signed to Reprise Records/Warner Bros. in 1987, they found that there was another group with the same name, so they became Take 6. Their self-titled debut CD won over jazz and pop critics, scored two 1988 Grammy Awards, landed in the Top Ten Billboard Contemporary Jazz and Contemporary ChristianCharts, and they’ve never slowed down.

What makes the music and the group last this long? The answers are direct and simple: faith, friendship, respect, and love of music. Such qualities garnered them awards beyond musical category -a Soul Train Award and two NAACP Image Award nominations. From their exceptional live performances to their recordings, these qualities remain at the heart of the Take 6 phenomenon.

As Take 6 celebrates their 25th Anniversary with a brand new show, they’ll share the memories in the music of the past 25 years as well as reveal what the future holds!

https://https://take6.com/

Dee Dee Bridgewater

Friday, June 26 – Shows at 7:15pm and 9:30pm

The St. Regis Aspen

Saturday, June 27 -Show at 5:30pm

The St. Regis Aspen

Over the course of a multifaceted career spanning four decades, Grammy and Tony Award-winning Jazz giant Dee Dee Bridgewater has ascended to the upper echelon of vocalists, putting her unique spin on standards, as well as taking intrepid leaps of faith in re-envisioning jazz classics. Ever the fearless voyager, explorer, pioneer and keeper of tradition, the three-time Grammy-winner most recently won the Grammy for Best Jazz Vocal Album for Eleanora Fagan (1915-1959): To Billie With Love From Dee Dee.Bridgewater’s career has always bridged musical genres. She earned her first professional experience as a member of the legendary Thad Jones/Mel Louis Big Band, and throughout the 70’s she performed with such jazz notables as Max Roach, Sonny Rollins, Dexter Gordon and Dizzy Gillespie. After a foray into the pop world during the 1980s, she relocated to Paris and began to turn her attention back to Jazz. Releasing a series of critically-acclaimed CD’s, all but one, including her wildly successful double Grammy Award-winning tribute to Ella Fitzgerald, Dear Ella -have received Grammy nominations.

Bridgewater also pursued a parallel career in musical theater, winning a Tony Award for her role as “Glinda” in The Wiz in 1975. She is currently on tour worldwide in support of “Memphis,” her new CD, and in April of this year was the recipient of an NEA Jazz Masters Fellows Award with honors bestowed at the Kennedy Center in Washington, D.C

http://www.deedeebridgewater.com/

David Sanborn

Sunday, June 28 – Shows at 5:45pm and 7:45pm

The St. Regis Aspen

David Sanborn has released 25 albums, won six Grammy Awards, and has had eight Gold albums and one Platinum album. Having inspired countless other musicians, Dave has worked in many genres that typically blend instrumental pop, R&B and lately, more and more traditional jazz. He released his first solo album Taking Off in 1975 but has been playing the saxophone since before he was in high school when he was inspired by the great Chicago blues artists near his hometown of St. Louis.

Having contracted polio at the age of three, Dave was introduced to the saxophone as part of his treatment therapy. By the age of 14, he was able to play with legends such as Albert King and Little Milton. Dave went on to study music at Northwestern University before transferring to the University of Iowa where he played and studied with the great saxophonist, JR Monterose. Later traveling to California on the advice of a friend, he joined the Butterfield Blues Band and played Woodstock with Paul Butterfield. Following that, Dave toured with Stevie Wonder and recorded for Wonder’s Talking Book album, played with The Rolling Stones, and toured with David Bowie with whom he recorded the famous solo heard on “Young Americans.” At the same time, Dave was touring and recording with the great Gil Evans, dividing his time between the two. After moving to New York City and studying with George Coleman, Dave started his solo career where he later collaborated with such artists as Paul Simon and James Taylor.

He continues to be one of the most highly active musicians of his genre, performing over 100 shows per year. Considered as a whole, Dave is an artist who pushes the limits and continues to make music that challenges the mind and goes Straight to The Heart.

https://www.davidsanborn.com/

The Motet

Friday, June 26 – Shows at 7:30pm and 10pm

The Belly Up Aspen

Throughout history, unity starts on the dancefloor. From ancient tribal cultures to neon night clubs, beats bring bodies together. Once grinding and grooving in unison, the movement generates friction, sparks, and light. That might just be the purest form of energy on the planet. The Motet harness such energy. In fact, the Denver septet — Dave Watts [drums], Joey Porter [keys], Garrett Sayers [bass], Ryan Jalbert [guitar], Lyle Divinsky [vocals], Drew Sayers [sax], and Parris Fleming [trumpet] — encode a message in their energetic mélange of boisterous badass funk, swaggering soul, and thought-provoking pop.

In the process, they challenge convention and arrive with a dynamic, diverse, and definitive statement.

Since emerging in 1998, the boys have cooked up eight full-length albums and entranced countless crowds. 2016’s Totem saw them welcome Lyle behind the mic and Drew on sax. Shortly after, they kicked off what has become an annual tradition by selling out the legendary Red Rocks Amphitheater for the first time. “It was my six-month anniversary and first show for a hometown crowd,” recalls Lyle. “I’ve got 10,000 people looking at me like, ‘Who the hell is that?’,” he laughs. That night would be chronicled on the fan favorite Live at Red Rocks. In the meantime, the group maintained a prolific pace of 100 shows per year in support of Totem.

http://themotet.com/

The Family Stone

Saturday, June 27 – Shows at 7:30pm and 10pm

The Belly Up Aspen

Rock & Roll Hall of Fame inductee, R&B Pioneer Award Winner, and original founding member of Sly & The Family Stone; Jerry Martini, along with Phunne Stone (The multi-talented daughter of Sly Stone and the late great Cynthia Robinson) bringing the music of the first inter-racial inter-gender, main-stream major band in Rock & Roll history… the chart topping hits of Sly & The Family Stone.

These funksters are joined by the powerful voice of Swang Stewart on vocals, bringing a message of peace, love, and social consciousness, through musical harmony with some of the funkiest players of all time. Big Gunes of Funk like Nate Wingfield on the Guitar, Jimmy McKinney on keys, Frank Klepacki on Drums, and Blaise Sison on bass adding the proper pocket to the raw Family Stone sound.

They present an explosive set of their Psychedelic Funk classic hits of the 60s and 70s. The raw, unfiltered original sound that became part of the essential building blocks of many, if not most, of the great modern artists toolkits. Sampled and covered by major artists around the world, the influence of their music and sound is immeasurable in the development of modern music as we know it today.

http://www.thefamilystonemusic.com

Charlie Hunter and Lucy Woodward

Saturday, June 27 – Show at 8:15pm

VIP Tent

Saturday, June 27 – Show at 11pm

Victoria’s Espresso

Sunday, June 28 – Shows at 6:30pm and 9pm

Victoria’s Espresso

An exhilarating blast of blues, soul and funk, Music!Music!Music! marks the recorded debut of the musical partnership between guitarist Charlie Hunter and vocalist Lucy Woodward.

The duo first performed together in February 2018, when Woodward, fresh off supporting her fourth solo album, met Hunter through their friends in Snarky Puppy at the GroundUP festival in Miami. Woodward joined forces with Hunter as a last- minute fill-in on a tour he’d originally booked with another singer whose visa had been denied. Bonded by their shared love of blues, Hunter and Woodward quickly constructed a setlist of favorite songs and hit the road. Within less than a week of playing shows together, they realized that they’d hit upon something very special, indeed. Hunter and Woodward are individually known as solo artists but have collectively toured and recorded with D’Angelo, Rod Stewart, Snarky Puppy, John Mayer, Pink Martini, Norah Jones and Celine Dion.

Music!Music!Music! features eleven radically reworked covers of songs by artists ranging from Blind Willie Johnson and Bessie Smith to Nina Simone and Terence Trent D’Arby. Soulful, spacious and deliciously in the pocket, Music!Music!Music! showcases the dazzling interplay between Hunter’s funky guitar and Woodward’s powerful voice, while also reflecting the spontaneity and good vibes of the duo’s live performances.

http://www.lucywoodward.com/
https://charliehunter.com

Monty Alexander/Harlem Kingston Express

Saturday, June 27 – Shows at 6:30pm and 8:45pm

Aspen Art Museum

Sunday, June 28 – Show 9:45pm

The Little Nell

Nearly sixty years after he moved to the United States from Kingston, Jamaica, his hometown, Grammy nominated legendary pianist Monty Alexander is an American classic, touring the world relentlessly with various projects, delighting a global audience drawn to his vibrant personality and soulful message. A perennial favorite at Jazz Festivals and venues worldwide and at the Montreux Jazz Festival where he has performed and headlined concerts 23 times since 1976, his spirited conception is one informed by the timeless verities: endless melody-making, effervescent grooves, sophisticated voicings, a romantic spirit, and a consistent predisposition, as Alexander accurately states, “to build up the heat and kick up a storm.” In the course of any given performance, Alexander applies those aesthetics to a repertoire spanning a broad range of jazz and Jamaican musical expressions—the American songbook and the blues, gospel and bebop, calypso and reggae—and gives the hardcore-jazz-obsessed much to dig into while also communicating the message to the squarest “civilian.”

A native of Kingston, Jamaica, Alexander also performs frequently with Harlem- Kingston Express, a double trio in which he coalesces his love for hard-swinging jazz with musical flavors that reflect his Jamaican heritage, shifting between an acoustic trio and master Jamaican practitioners of electric bass and drums.

“Even now, it’s one world of music for me,” Alexander says. “I try to remove all the lines. Even though I do this thing and that thing and the other thing, at the end of the day it’s Monty Alexander. I still seem to make people happy.”

https://www.montyalexander.com/

Anat Cohen/Brazilian Jazz Quartet

Friday, June 26 – Shows at 6:15pm and 8:45pm

The Little Nell

Ever charismatic, prolific and inspired, Grammy-nominated clarinetist-saxophonist Anat Cohen has won hearts and minds the world over with her expressive virtuosity and delightful stage presence. The New York Times writes, “Ms. Cohen on the clarinet was a revelation. Using the clarinet’s upper register, she could evoke infectious joy. In the lower register, her playing could conjure a deep, soulful melancholy. On up-tempo numbers, her improvisations weren’t just bebop fast; they had a clarity and deep intelligence that is really quite rare. She made it look effortless, even as she was playing the most technically difficult of all the reed instruments… she took my breath away.”

Since 2005, Anat’s series of releases via her Anzic Records label have seen the clarinetist-saxophonist range from infectious swingers to lilting balladry, from small groups to larger ensembles and back again, exploring a universe of music along the way.

Anat was born in Tel Aviv, Israel, and raised into a musical family. She attended the Tel Aviv School for the Arts, the “Thelma Yellin” High School for the Arts and the Jaffa Music Conservatory. Anat began clarinet studies at age 12 and played jazz on clarinet for the first time in the Jaffa Conservatory’s Dixieland band. At 16, she joined the school’s big band and learned to play the tenor saxophone; it was this same year that Anat entered the prestigious Thelma Yellin school, where she majored in jazz. After graduation, she discharged her mandatory Israeli military service duty from 1993-95, playing tenor saxophone in the Israeli Air Force band.

However easy Anat makes it seem onstage, the mastery of any great art is a long, elusive challenge, and she teaches the fine points of jazz and the music of Brazil to budding students across North America, including recent residencies at Stanford, Oberlin, Michigan State University, University of California-San Diego, the Centrum Choro Workshop and California Brazil Camp. About her experiences onstage, in the classroom or just engaging with her listeners, Anat says: “Any day when I get to share music with people – other musicians, an audience – feels like a celebration to me.” – Bradley Bambarger

https://www.anatcohen.com

Kermit Ruffins & The Barbecue Swingers

Friday, June 26 – Shows at 6:30pm and 8:45pm

Aspen Art Museum

“We Partyin”

Kermit Ruffins needs only two words to hype a New Orleans barroom for one of his weekly shows, and this, his personal slogan, sums up what this Big Easy ambassador is all about.

From playing himself in the HBO Series Treme, to barbecuing outside his bar, Kermit’s Treme Mother-in-Law Lounge, to sitting in with Jon Batiste and Stay Human on The Late Show with Stephen Colbert, the trumpeter/vocalist keeps himself busy when he isn’t on stage doing what he does best—entertaining and sharing his love of life with the world. He personifies the laid-back vibe of New Orleans.

Kermit Ruffins and the Barbecue Swingers are a beloved institution – a must-see for every New Orleans visitor and a favorite of local critics and music lovers. As he’d helped spur the formation of new brass bands in his 20s, he’s since influenced the city’s musical direction in the 21st century. Dozens of young musicians and bands are essentially playing the same music Ruffins pioneered with his solo act. They sing into retro microphones, dress in dandy suits and perform the timeless tunes that defined a decades-past era.

Yet Ruffins has not been content to remain musically static. His live show has included elements of hip- hop since his days with Rebirth. He began rapping on albums long before it was commonplace for jazz musicians to have hip-hop influences.

Every year Ruffins ebullient attitude and love of his hometown music firms his reputation as the New Orleans idol. Dedicated to preserving and passing on the tradition of jazz, he is often compared to his own hero, Louis Armstrong.

Whether he’s slinging barbecue, adding to his collection of fedoras, or playing at one of his regular weekly shows, Kermit Ruffins does it with joy and passion. It’s an attitude befitting of any true New Orleanian, and it can be summed up in two simple words: We Partyin’!

https://www.basinstreetrecords.com/artists/kermit-ruffins/

Ulysses Owens Jr. Gen Y

Saturday, June 27 – Shows at 5:45pm and 8:45pm

The Little Nell

Sunday, June 28 – Shows at 5:45pm and 7:30pm

The Little Nell

Heralded as a “powerhouse of a showman” (Glide Magazine), a “legitimate jazz triple threat” (Critical Jazz) and a drummer who “take[s] a back seat to no one” (The New York Times), performer, producer and educator Ulysses Owens Jr. goes the limit in the jazz world and beyond.

An active faculty member of the Jazz Studies Program at his alma mater, The Juilliard School, Visiting Artist in Residence at Utah State University, and Faculty Artist in Residence at Edward Waters College in Jacksonville, Florida where he teaches the Music Business course. He also oversees artistic and community programming for hundreds of children and teens as Artistic Director for Don’t Miss a Beat, Inc., a youth-empowerment non-profit founded by his family in 2008 in his hometown of Jacksonville, Florida.

Ulysses remains consistently in demand for new projects as an Artist, Producer, and Educator, remaining one of the most sought-after drummers and thought leaders of his generation. Yet what matters to him consistently is giving back and continuing to be grateful for a new day, to make a difference in the lives of others.

https://www.usojazzy.com/

Sammy Miller and the Congregation

Sunday, June 28 – Shows at 10am and 12:30pm

NOLA Brunch – additional ticket required

Sammy Miller and The Congregation are on a mission, crisscrossing the country like a vaudevillian revival show with evangelic fervor for music. The seven-piece band is pulling people out of their solitary lives and putting them in the moment with a bracing dose of joyful jazz performed with infectious theatricality. The New York City-based, familial collective has captured its frenetic energy and unflinchingly optimistic songwriting on its debut album, Leaving Egypt.

Sammy Miller and The Congregation has been described as a mashup of the sensibilities of Ben Folds and the Preservation Hall Jazz Band. The band freely mixes vocal and instrumental tracks live and on record, asking the audience to go along for the ride with the lead melody being carried by vocalists half the time, and instruments the other half. The seven-piece group is a community of adventurous and charismatic superstar musicians who are conservatory-trained but who have not lost their childlike wonder and awe for playing music. The band lineup is Sammy Miller, drums and vocals; Sam Crittenden, trombone; Ben Flocks, tenor sax; Sammy’s sister Molly Miller on guitar; Alphonso Horne, trumpet; Corbin Jones, bass and tuba; and David Linard, piano.

“We all went to Juilliard and have these credentials, but we didn’t like the insular feeling of the jazz scene. We were seeking warmth and connection,” Sammy says. These misfit creatives descended on venues around NYC where the genre was not played. “I wanted to find a new audience,” Sammy says. “We played in dive bars where people were scared of jazz.” Their live show grew to be something of a mix between a comedy troupe and a dazzling rock band that played a vigorously reimagined strain of jazz. “We let ourselves be free on the bandstand and we took the audience with us,” Sammy says. The band’s boundless energy, inclusive ideals, catchy songwriting, and revue style presentation made them a word-of-mouth buzz band. The septet expanded its reach through adopting the rock band philosophy of touring endlessly in a van to build a fanbase.

http://www.sammymillercongregation.com/

Galactic

Sunday, June 28 – Shows at 7:30pm and 10pm

The Belly Up Aspen

“I’ve never been able to put a label on what we do,” Ellman says. “I could say it’s funk or I could say it’s R&B or jazz or whatever else, but really, it’s all of that.”

“It’s not that we’re always trying to push boundaries,” says Mercurio, “but we definitely take influence from our hometown and try to do something new with it. We tour all around the world and we’re exposed to tons of elements that filter their way into our consciousness and come out through our music.”

Though their hearts are always in New Orleans, Galactic spends virtually all its life on the road, leaving limited timeframes in which to record. Whenever time allowed, the group holed up at their studio headquarters, Number C, where they were free to experiment and develop new ideas.

Galactic is, likely even at this very moment, on the road as usual, with Erica Falls putting her own stamp on ALREADY READY ALREADY’s songs as they manifest new shapes through live performance. As if their perpetual tour schedule weren’t enough, Galactic announce the band’s purchase and future stewardship of New Orleans’ legendary Tipitina’s nightclub.

“We’re so incredibly honored to be tasked as the current caretakers of such a historic venue,” says Ellman. “My connection with the club started way before I was lucky enough to take the stage.
My first job in New Orleans was at Tipitina’s as a cook in the (now defunct) kitchen. The importance of respecting what Tip’s means for musicians and the city of New Orleans is not lost on us. We’re excited for the future of the club and look forward to all the amazing music and good times ahead.”

With that in mind, it turns out that, despite the lack of released work, the past three years have in fact been remarkably prolific for Galactic. The sessions that yielded ALREADY READY ALREADY will generate still another LP due later in 2019, one which Ellman describes as “possibly more of a throwback thing” but will almost certainly morph into something altogether new and wonderful via Galactic’s evolutionary musical vision.

http://galacticfunk.com/

Delvon Lamar Organ Trio

Friday, June 26 – Shows at 8:30pm and 11pm

Victoria’s Espresso

Saturday, June 27 – Show at 8:30pm

Victoria’s Espresso

Delvon Lamarr Organ Trio was formed in the spring of 2015 by Amy Novo, Delvon Lamarr’s wife and band manager. She told her husband she would take over his music career and all he had to do was find the musicians, create and play music. They originally started with another guitarist and drummer. Within a year they brought on infamous Jimmy James. Immediately the chemistry between the three of them was undeniable. With Delvon’s soulful organ sound, and Jimmy’s explosive guitar sound and the former drummer’s perfect pocket drumming, they had the perfect blend of Soul, Jazz, Rhythm & Blues and Rock & Roll.

They started with a weekly Residency at The Royal Room in Seattle for the first year then self-released their first album, playing short tours from Idaho, Spokane, Seattle, Bellingham, Olympia, Portland, Reno, California, and tour in Europe.

Shortly after signing with Colemine Records they re-released their album on a 45, LP, cassette, CD and digitally. Several months later they signed with The Kurland Agency, a well-known booking agency out of Boston. The band has since gone from a local Seattle-based band to a national and international household name, traveling all over the United States and around the world.

The love, passion and devotion Amy Novo, Colemine Records and The Kurland Agency has for their music creates the perfect power team. Now, with Michael Duffy as their drummer, Delvon Lamarr Organ trio is ready to take their performance to new regions of the world, bringing their unique sound to fans across the globe.

https://delvonlamarrorgantrio.com/

Tuba Skinny

Thursday, June 25 – Shows at 7pm and 9pm

Aspen Art Museum

Founded in 2009, Tuba Skinny has steadily evolved from a loose collection of street musicians into a solid ensemble dedicated to bringing the traditional New Orleans sound to audiences around the world. Drawing on a wide range of musical influences – from spirituals to Depression-era blues, from ragtime to traditional jazz – their sound evokes the rich musical heritage of their New Orleans home. The band has gained a loyal following through their distinctive sound, their commitment to reviving long-lost songs, and their brainstorming live performances. They have released seven albums.

http://tubaskinny.com/

Paa Kow

Sunday, June 28 – Shows at 6:15pm and 8:30pm

Aspen Art Museum

Having toured internationally, sharing stages with both African and American luminaries including Kojo Antwi, Amakye Dede and Victor Wooten, Ghana born drummer and composer, Paa Kow, (pronounced Pah-Ko), blends rhythm and artistry from his home with jazz and African roots creating his own Afro-Fusion sound. Dubbed “Ghana’s most artistic drummer” (Modern Ghana), he plays a custom, traditionally inspired Ghanaian drum set that is the only one of its kind in the world, guaranteeing an extraordinary cultural and musical experience.

Growing up in the small village of Enyan Denkyira near Cape Coast in Ghana, West Africa, Paa Kow began to play music and tour with his family’s concert band at a very early age. He has since grown to be widely recognized as one of the most remarkable drum set players to tour in Africa, Europe, and America. Paa Kow’s deep groove and prodigious talent reveal a unique ability to speak to listeners with his drums, inspiring a profound spiritual conversation and fulfilling his vision to spread the music and culture of his homeland by touring the world with his Afro-Fusion Orchestra.

https://www.paakowmusic.com/

Badi Assad

Friday, June 26 – Shows at 6pm and 8pm

Skye Gallery

Saturday, June 27 – Shows at 5pm and 7:15pm

Skye Gallery

Brazil’s Badi Assad is one of the most innovative, passionate and talented Artists of all times and is lauded as one of the world’s most unique and cross-transcendental performance artists of this generation. She transcends traditional styles of her native Brazilian music with a mixture of pop, jazz and world/ethnic sounds from around the world. As a result, the extraordinary singer, guitarist, and percussionist is successfully forging an exhilarating genre of music that quite literally defies categorization.

What makes Badi Assad so unique is her hungry pursuit of performance experimentation that no other artist has done: She combines an extraordinary guitar talent, a unique mouth percussion, beautiful singing, combining a rhythmic body movement, to create an exciting, fresh music sound, and leaving spectators… simply… BREATHLESS. Indeed, watching Badi perform is like witnessing a spiritual phenomenon. How she does what she does all at once, and delivering an extraordinary performance, is quite unbelievable.

As a singer, Badi is vibrant and electric, responding to her inner passion with deft creativity. As a guitarist, she has inspired audiences and critics worldwide with a unique combination of technical mastery and innovation that has caused many to re-examine their notions about the instrument. Through it all, Badi’s adventurous spirit and buoyant personality have become an integral part of her music.

http://badiassad.com/en/

Juanito Pascual

Sunday, June 28 – Shows at 5pm and 7:15pm

Skye Gallery

Virtuoso flamenco guitarist/composer/improviser Juanito Pascual has been called “one of the hottest flamenco guitarists in recent years” by National Public Radio, a major accolade which in this case is just the jumping off point for the Minneapolis native’s musical style. His sound is a truly organic blend of a mastery of traditional and contemporary flamenco plus unexpected influences ranging from Jimi Hendrix and the Grateful Dead to Miles Davis and J.S. Bach.

Since the 2003 release of his debut solo recording “Cosas en Comun”, Pascual’s international touring schedule has brought him to venues including the Tanglewood Jazz Festival, New York’s Lincoln Center, and Blue Note Jazz Club, The Panama Jazz Festival and Madrid’s renowned Casa Patas. He has performed with a lengthy ‘who’s who’ of top flamenco artists including 2016 tour dates and invitation to appear in a documentary film with flamenco icon Jorge Pardo (of Paco de Lucia’s legendary Sextet, Chick Corea’s Spanish Heart Band) in addition to collaborations with a diverse range of musicians including Grammy-winning soprano Dawn Upshaw, bassist John Patitucci, pianist Danilo Perez (Wayne Shorter Qt), percussionist Jamey Haddad (Paul Simon’s group), virtuoso guitarist Grisha Goryachev, and many others.

It’s not acting…It’s never acting… It’s the reason I go onstage and sing Edge of 17 every night since ’81 or Gold Dust Woman. I just take myself back to that time when it was written… Sometimes I can’t remember what happened yesterday but I remember so well what happened through the whole period of time that I wrote these songs.

His 2014 release “Juanito Pascual New Flamenco Trio” was included on NPR critic Milo Miles’ “Best World Music Albums” list that year and he is the author of “The Total Flamenco Guitarist” method book. In addition to touring and teaching workshops in 2020, Pascual is releasing two singles while recording his fourth full-length album for release in early 2021.

https://juanitopascual.com/